Ahead of a Sydney season, the French dancer and choreographer (of Black Swan fame) reflects on the music that shaped him.

The Artistic Director of Tasmania’s Festival of Voices shares her excitement at what’s in store this year.

Music in the Regions heads for Broken Hill to present William Barton and Véronique Serret’s Heartland.

Lachlan Skipworth has always enjoyed writing for the flute. His new concerto was written especially for WASO's Principal Flute, Andrew Nicholson.

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.

Iranian-Australian musician Gelareh Pour explains how she fell in love with the “deeply Iranian” string instrument, sometimes called the Persian spiked fiddle.

First Nations choreographers Moss Te Ururangi Patterson and Deborah Brown talk about working together on Bangarra's first mainstage international collaboration.

Classical pianist and author Simon Tedeschi reflects on the power of art, inspired by Ralf Yusuf Gawlick’s 2022 oratorio O Lungo Drom.

A sublime new recording of Handel’s Theodora, recitals from Véronique Gens, Roderick Williams and Michael Spyres, and a Russian blockbuster from Sir Antonio Pappano.

The latest arts appointments and departures.

Get ready to laugh until you cry as Guy Noble dreams up an explosive festival program. All he needs now is an investor.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.