World Premiere: Glacial Thunder
Opening Melbourne Chamber Orchestra’s 2024 season, a new work from Katy Abbott taps into the complexity of musical communication.
Opening Melbourne Chamber Orchestra’s 2024 season, a new work from Katy Abbott taps into the complexity of musical communication.
Essential holiday listening includes gripping symphonies from a well-known pianist, Rattle’s Siegfried, Wilson’s Daphnis and Osborne’s latest Debussy.
Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.
A round-up of our recent news reports.
What do our opera and dance companies have on offer in the year ahead?
Though he may now be a hexagenarian, Guy Noble doesn’t feel it. He takes inspiration from Sir Paul McCartney – still touring to adoring fans at 81.
Starting 2024 as Violetta in her Opera Australia debut, soprano Samantha Clarke has a big year ahead.
What were the online features that grabbed your attention in 2023? And what does the list say about you, our readers?
For Dots+Loops’ Playback, the post-genre arts series gave its alumni artists totally free rein. What does that look like?
Recorder virtuoso Genevieve Lacey has no problem performing solo. But for her, the single player recital is often the least creative option.
In its voyeuristic new work, Private View, Restless Dance Theatre continues to challenge perceptions about people with disabilities.
Limelight's Clive Paget surveys and recommends the best in fresh festive listening – including four discs offering something a little special.
Until earlier this year, the UK's revered vocal ensemble The King’s Singers had become accustomed to slow evolution. Then came Pensacola.