The baroque violinist explains how choreography inspired her new recording of Biber's Rosary Sonatas.

The authors of a new report take a pulse check of the theatre sector's response to climate change and ecological sustainability.

Fabian Russell's Orchestra Project continues to provide young musicians with rare opportunities to play the mightiest of classical masterworks, writes Miranda Ilchef.

In the larger national festival ecosystem, the Adelaide Festival retains the original intent of those who set it up more than 60 years ago.

Currently on tour in Australia, musical polymath Owain Park, leader of The Gesualdo Six, unpacks the music that has moved him most.

The third Music She Wrote festival for 3MBS celebrates women's work and breaking with societal norms and expectations.

The addition of three new female busts to the collection in the Sydney Conservatorium of Music library seeks to redress age-old inequities.

Log in to read the PDF version of Limelight's April 2023 magazine.

Long-standing aficionado Stuart Maunder chats about Gilbert & Sullivan, their ongoing relevance and State Opera South Australia’s G&S Fest.

Joanna Murray-Smith's new play ponders the days, months and years leading up to Julia Gillard’s ‘misogyny speech'.

What is a KeyScanner? Pianist and technophile Zubin Kanga show us how it works and how it's used in his latest piece from his London lab.

After 80 years of silence, music by Dunera Boy Max-Peter Meyer finally has its day in the sun at Canberra International Music Festival.