Clive Paget caught up with the personable British baritone to unpack his enviable reputation as a singer and orchestrator.

In what amounts to a musical dissection, Of the Body traverses sex, sensuality, the senses and more.

A choreographer, Marina Mascarell is accustomed to have others do the moving for her. But what, asks Limelight, are the pieces of music that move her?

Cameron Lam explores trios across jazz, classical, and experimental music in this month's Australian Art Music playlist.

It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.

The saxophonist and composer talks about his new concerto for baritone saxophone to premiere at Orange Chamber Music Festival, and how its audience can help.

Star soprano Chloe Lankshear discusses the universal language of Bach, the awe-inspiring sound of a choir, and performing with acclaimed conductor Stephen Layton.

Frank Martin's mighty Mass for Double Choir will require all the resources of Sydney Chamber Choir – and then some, writes Sam Allchurch.

Composer-arranger Alex Turley's new project brings together the Ghanaian-Australian rapper Genesis Owusu and 40 of the country’s top orchestral players.

Handpicked to sing at the Coronation of King Charles III, Pretty Yende is a South African opera star with a voice that shatters glass ceilings.

Two very different productions of Sondheim's fairy-tale musical are about to open in Australia, one in Sydney, one in Perth. We speak to the directors.

This year’s Four Winds Music Festival will be a special one for the intergenerational Indigenous choir Djinama Yilaga.