Guy Noble’s Soapbox: Bottoms Up!
Guy Noble finds it hard to get to the bottom of life as an influencer, and wonders why one particular Instagrammer constantly posts pictures of her posterior.
Guy Noble finds it hard to get to the bottom of life as an influencer, and wonders why one particular Instagrammer constantly posts pictures of her posterior.
The new Artistic Director of the Adelaide Festival recalls singing in Britten’s children’s choir, playing the French horn, and becoming a fan of Boulez.
The founder and first violin of the San Francisco-based Kronos Quartet explains the ethos behind 50 years of artistic collaborations.
Meryl Tankard and Elena Kats-Chernin reunite for a new dance work about the here and now.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Linda May Han Oh’s Ephemeral Echoes explores the nature of transience and time, and brings the composer home to Perth for its world premiere.
Melbourne Symphony Orchestra’s Composer in Residence for 2023, Mary Finsterer, explains how her new work takes inspiration from the vast canon of musical settings of the Latin chant O magnum mysterium.
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The original scores tell you how early music should be played, says Jordi Savall.
The young pianist and winner of the 2022 Elisabeth Murdoch Prize discusses his love of the Romantics and his upcoming Victorian debut.
Featuring an immersive soundscape by Nick Wales, and a new Sulman Award-winning accommodation wing, Arthur Boyd’s homestead invites everyone to rediscover nature’s beauty.
Festival directors Ben Opie and Melissa Doecke unveil a Peninsula Summer Music Festival that will appeal to all the senses.
Cameron Lam looks back at a year of releases in this Australian Art Music playlist, a 2022 retrospective.