Linda May Han Oh’s Ephemeral Echoes explores the nature of transience and time, and brings the composer home to Perth for its world premiere.

Melbourne Symphony Orchestra’s Composer in Residence for 2023, Mary Finsterer, explains how her new work takes inspiration from the vast canon of musical settings of the Latin chant O magnum mysterium.

Log in to read the PDF version of Limelight's January/February 2023 magazine.

The original scores tell you how early music should be played, says Jordi Savall.

The young pianist and winner of the 2022 Elisabeth Murdoch Prize discusses his love of the Romantics and his upcoming Victorian debut.

Featuring an immersive soundscape by Nick Wales, and a new Sulman Award-winning accommodation wing, Arthur Boyd’s homestead invites everyone to rediscover nature’s beauty.

Festival directors Ben Opie and Melissa Doecke unveil a Peninsula Summer Music Festival that will appeal to all the senses.

Cameron Lam looks back at a year of releases in this Australian Art Music playlist, a 2022 retrospective.

As the groundbreaking Japanese piano manufacturer celebrates its 95th anniversary, we look back at founder Koichi Kawai's legacy and the company's commitment to excellence, accessibility and patronage.

River City Voices' Artistic Director and Principal Conductor discusses the unique combination of slam poetry and Handel's oratorio.

As Emma Matthews prepares to debut as Alcina, the role that earnt Joan Sutherland the moniker "La Stupenda", Peter Coleman-Wright lets us in on a surprise awaiting National Opera audiences.

In Currency House's New Platform Paper series, First Nations philosopher Tyson Yunkaporta examines how different concepts of arts, culture and economics have informed the history of relations between Aboriginal and colonial Australia. Read an extract here.