Speaking to Limelight ahead of his solo recitals, Lang Lang unpacks a little of what's to come in the next 18 months of touring.

Released this week in 1975, Steven Spielberg's classic thriller unleashed a sonic abbreviation for extreme terror.

Paul Dean talks his new clarinet quintet premiering at the Australian Festival of Chamber Music with Michael Collins, his childhood clarinet hero.

Low lights and beanbags, earmuffs and fidget toys. Melbourne Symphony Orchestra creates concert experiences catering to those with sensory sensitivities.

Correspondent Clare Varney spoke to Aussie hopeful Sam Weller ahead of his finals appearance at the International Conducting Competition in Rotterdam.

"Deeply personal and a bit surreal". Christine Pan's new song cycle unpacks Asian-Australian family dynamics while challenging ideas of perfection.

The Artistic Director of the Australian Brandenburg Orchestra talks about the "hidden gems" in his program for Baroque Unleashed.

Prolific, multi-skilled and an innovator, it's not hard to imagine baroque composer George Philipp Telemann succeeding in the music business today.

Cameron Lam’s monthly Australian Art Music playlist explores preludes, dawn, and the moment of reflection before a journey, featuring music across Classical, Jazz, & Sound Art.

Bangarra Dance Theatre, Emma Donovan and the Spiegeltent crew set to light up Australia's truly tropical festival.

It's crowded, but for artists ready to speak clearly and ask boldly, EOFY is the perfect time to be heard.

Musica Viva Australia helps ensure music education survives in schools where it’s no longer guaranteed.