"Employ more women," says Opera Australia CEO Fiona Allan, one of six women, including Simone Young and Deborah Cheetham, interviewed in a new documentary by Miriam Gordon-Stewart.
Benjamin Millepied, former Principal with New York City Ballet, Director of Dance at the Paris Opera Ballet and choreographer of Black Swan, discusses his latest film and the influence of Jerome Robbins.
The founder of London’s Chineke! Orchestra explains her passion for a Black British musical icon, whose music, she believes, should be much better known.
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We catch up with Amanda Lee Falkenberg to find out how The Moons Symphony came to be, and what listeners can expect from the thrilling artistic odyssey.
We explore the history of Fidelio, and talk to Simone Young and First Nations writer Tyson Yunkaporta about the Sydney Symphony Orchestra’s new concert version.
We look at the work of Christian Spuck, Peter Sellars, Barrie Kosky and Romeo Castellucci to determine whether the oratorio has regained its long-lost theatrical mantle.
Meet Suzie Miller, the lawyer-turned-playwright, whose projects include a Broadway run of Prima Facie and a new play about Ruth Bader Ginsburg at Sydney Theatre Company.
Guy Noble raises an eyebrow at the Sydney Opera House’s “spittle-catchers”. On another note, he is proud to be staging a fundraiser in memory of much-loved soprano Taryn Fiebig.
This month’s performance highlights from ABC Classic, independent radio and streaming.
The culinary icon explains how she was brought up on music and can’t imagine a day without it.
ACO Underground now has its own band, whose genre-bending gigs include everything from their own punk tunes to Nick Drake and Bach.
This month features orchestral music by Dvořák, Weill and Vaughan Williams, plus a Hollywood epic and intriguing recitals from Igor Levit and Víkingur Ólafsson.
