The American virtuoso talks maestro mentors, the joys of three, and a plus side to the pandemic, as she prepares to tour Australia with the Z.E.N. Trio.

The Queen’s Platinum Jubilee Concert will be held at St John’s Cathedral in Brisbane to raise money for the Australian Red Cross and help flood victims.

This year the annual festival not only filled the streets of the ancient French city with music, but it also breathed new life into an abandoned stadium with Mahler's Resurrection.

Writing through a pandemic, Angela Betzien couldn't bear the thought of creating something bleak. She discusses writing her first stage comedy, the very topical Chalkface.

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Learning music as a child has untold benefits, yet music education is contracting in Australia. Anita Collins discusses how impactful it can be for each and every student at a range of different schools.

With a surge in hyper-local creativity, it’s time to look to the regions as we reevaluate Australian culture.

Two wildly different, inventive stage adaptations, running concurrently in Sydney, are replacing Jekyll and Hyde's simplistic dichotomy with something far more complex.

Has the guiding principle of art been killed off by postmodernism?

Australian soprano Ali McGregor has formed a company to create concepts for new operas – one of which, The Call, will premiere at Opera Queensland, with McGregor starring. She explains how and why The Call came about.

Eugene Ughetti discusses the changes he’s seen since founding Melbourne’s Speak Percussion 20 years ago, and their latest project Scream Star.

Alain Boublil and Claude-Michel Schönberg discuss the concert spectacular Do You Hear the People Sing?, which charts their 50-year collaboration.