A new University of Melbourne production of Massenet's fairytale classic tunes into today’s digitally focussed, celebrity obsessed culture.

State Opera South Australia’s Artistic Director Dane Lam and director Rodula Gaitanou talk about their new production of Gounod’s Roméo et Juliette.

Welcoming ideas as well as finalised scripts, the revamped Award aims to amplify unheard voices, encourage inclusivity and give rise to works that speak to a diverse audience.

Mixing improvisation and silliness, Reuben Lewis and Emily Bennett bring seat-of-the-pants fun to schools via Musica Viva Australia's education program.

Ahead of a major showcase of the work of the University of Melbourne’s Faculty of Fine Arts and Music in disability arts, we hear about a unique program that allows everyone to play music.

The University of Melbourne's Wind Symphony tour is more than just a talent flex, it's a chance to be part of a major world premiere.

State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.

British director Netia Jones brings a hi-tech approach to Pinchgut Opera's The Fairy Queen, but music and story always come first, she tells Limelight.

Stephanie Eslake explains how Tasmania’s secluded, idyllic location has inspired a creative movement, making the remote island state an ideal place for music and arts lovers to visit.

The China National Symphony Orchestra Chorus brings its revered Yellow River Cantata to Australian. In return, says conductor Guy Noble, they get to sing Waltzing Matilda.

As Southern Cross Soloists turns 30, Limelight speaks to SXS's Ashley Smith about 30 years of the little company that could – and did.

A new opera about Las Vegas’s famous magic duo, Siegfried & Roy, has its world premiere at the Sydney Festival.