Review: Upstream Color (Shane Carruth)
A sensory experience, Upstream Color might find a more appreciative audience as an art installation.
A sensory experience, Upstream Color might find a more appreciative audience as an art installation.
Baumbach has made a female answer to Woody Allen’s Annie Hall as if directed by Truffaut or the Godard of Breathless.
The writer-director creates a film that entertains as much as it appalls.
Issues of good taste and responsibility gradually give way to class prejudice and shocking revelation.
How do you recover from shooting a behemoth like The Avengers?
Almost 20 years on from the first instalment, Jesse and Celine feel like old friends.
A great primer for those who haven’t closely followed the travails of the whistle-blowing website Wikileaks and its founder.
When a film boasts a morbidly obese albino and a Swiss alpenhorn, you know you’re not in for an ordinary trip to the cinema.
A sumptuous yet grittily grounded drama sweeps audiences back into the Court of Versailles in 1789.
As much about ageing and death as it is about love, and many will find it uncomfortably close to home.
An extraordinary account of sexual exploration and intimacy against the odds.
Writer-director Andrew Dominic has reinterpreted George V. Higgins’ 1974 novel Cogan’s Trade to fit America’s contemporary economic woes.
This US documentary on bullying arrives on the back of a Stateside ratings furore.