Review: The Rocket (Kim Mordaunt)
A charming and visually appealing tale filled with energy, humour and heart - yet without a hint of sentimentality.
A charming and visually appealing tale filled with energy, humour and heart - yet without a hint of sentimentality.
Entertaining enough but this well meaning, middle-of-the-road biopic offers little that's new.
Seen through the eyes of a six-year-old, this film about the spectre of divorce makes for haunting viewing.
A sensory experience, Upstream Color might find a more appreciative audience as an art installation.
Baumbach has made a female answer to Woody Allen’s Annie Hall as if directed by Truffaut or the Godard of Breathless.
The writer-director creates a film that entertains as much as it appalls.
Issues of good taste and responsibility gradually give way to class prejudice and shocking revelation.
How do you recover from shooting a behemoth like The Avengers?
Almost 20 years on from the first instalment, Jesse and Celine feel like old friends.
A great primer for those who haven’t closely followed the travails of the whistle-blowing website Wikileaks and its founder.
When a film boasts a morbidly obese albino and a Swiss alpenhorn, you know you’re not in for an ordinary trip to the cinema.
A sumptuous yet grittily grounded drama sweeps audiences back into the Court of Versailles in 1789.
As much about ageing and death as it is about love, and many will find it uncomfortably close to home.