Features

How Roderick Williams became the “go-to guy” for English song.

by Clive Paget

Ahead of an Australian tour, Patti LuPone reflects on her Broadway career.

by Jansson J. Antmann

What is focal dystonia? How does it affect musicians? And can it be treated?

by Steve Dow

The challenge and pride in co-writing Watershed: The Death of Dr Duncan.

by Christos Tsiolkas

Enjoy 12 months of Limelight’s music, arts and culture coverage.

Subscribe or renew an annual subscription between 25 August – 19 October for your chance to win a 2025/26 Palace Opera & Ballet cinema season pass.

  • $99 per year (AU only)
  • Free magazine delivery
  • Unlimited digital access
  • $48 per year
  • Unlimited digital access
  • Offer available worldwide

Soundings

Essay

Classical pianist and author Simon Tedeschi reflects on the power of art, having been inspired by Ralf Yusuf Gawlick’s 2022 oratorio O Lungo Drom (The Long Road).

by Simon Tedeschi

On the Record

A sublime new recording of Handel’s Theodora, recitals from Véronique Gens, Roderick Williams and Michael Spyres, and a Russian blockbuster from Sir Antonio Pappano.

by Clive Paget

Cutting Edge

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them with Maddy Briggs and explains why she sees artists as “antennae”.

by Maddy Briggs

Classical Music

Music in the Regions heads for Broken Hill to present William Barton and Véronique Serret’s Heartland.

by Jo Litson

Dance

First Nations choreographers Moss Te Ururangi Patterson and Deborah Brown talk about working together on Bangarra Dance Theatre’s first mainstage international collaboration.

by Steve Dow

Books

★★★★ Leonard Slatkin’s guidebook for maestros can easily be enjoyed by all.

by Will Yeoman

Film

★★★★ Based on real-life events, this meticulously crafted, deeply unsettling mystery thriller features stellar performances.

by Jason Blake

In the Limelight

A round-up of our recent news reports.

The latest arts appointments and departures.

The buzz around live performance.

Radio and streaming concert highlights.

Coda

Guy Noble's Soapbox

Get ready to laugh until you cry as Guy Noble dreams up an explosive festival program. All he needs now is an investor.

Playing Up

Iranian-Australian musician Gelareh Pour explains how she fell in love with the “deeply Iranian” string instrument, sometimes called the Persian spiked fiddle.

World Premiere

Lachlan Skipworth explains why he has consciously avoided any references to impressionism in his new concerto, written especially for West Australian Symphony Orchestra’s Principal Flute, Andrew Nicholson.

5 Questions For

The Artistic Director of Tasmania’s Festival of Voices shares her excitement at what’s in store this year.

My Music

Ahead of a Sydney season, the French dancer and choreographer (of Black Swan fame) reflects on the music that shaped him and how he fell in love with Prokofiev’s Romeo and Juliet all over again.

Playlists

Staff and Contributors

Print Editor
Jo Litson

Digital Editor
Jason Blake

Designer
Tristan Main

Editor-­at-­Large
Clive Paget

Staff Writer
Maddy Briggs

Contributors
Peter Berner, Peter Donnelly, Steve Dow, Jansson J. Antmann, Benjamin Millepied, Steve Moffatt, Guy Noble, Gelareh Pour, Lachlan Skipworth, Simon Tedeschi, Christos Tsiolkas, Will Yeoman

Publisher

Limelight Arts Media Pty Ltd

Chief Executive Officer
Cara Anderson

Subscriptions & Operations Manager
William Jeffery

Sales Manager
Carla Bird

For advertising enquiries contact (02) 8599 4205 or advertising@limelight-­arts.com.au

Limelight Subscriptions
Click here or phone (02) 8227 6486 weekdays, 9am–5pm NSW

Limelight Offices
Suite 606 Level 6, 84 Pitt Street
Sydney NSW 2000
(02) 8599 4204

Printing
Printed in Australia by IVE

Limelight is published by Limelight Arts Media Pty Ltd (ABN 34 624 578 801)

© 2024 Limelight Arts Media

No material may be reproduced without prior written permission of the publisher