Review: Festival of Outback Opera (Opera Queensland)
Having perfected the formula for its annual festival, Opera Queensland ups the ante with its most sophisticated program to date.
Having perfected the formula for its annual festival, Opera Queensland ups the ante with its most sophisticated program to date.
Powerful Australian presences on stage and podium contribute to a Ring Cycle that gives its audiences much to think about.
Synergy bends the definition of a musical instrument with flowerpots, kids' toys and an Australian invention in an expertly-curated program.
A beguiling set of contradictions sketch the evolution of John Cage’s thinking about music, sound and indeterminacy.
Clarity, power and sheer poetry as Joyce Yang takes on the perennial favourite Grieg concerto.
Brett Weymark and Sydney Philharmonia Choirs pull out all the stops for Mendelssohn’s swansong.
Over two days and within three generously filled concerts, audiences were treated to fine performances of diverse music.
If you like your comedy black and your satire vicious, Ulster American fits the bill perfectly.
A laudable theatrical-musical experiment in presenting the classics but this was the very definition of a mixed bag.
Young actors are at the heart of this haunting modern take on an ancient tragedy.
Kathryn Selby and the Goldner String Quartet bid a fond farewell with a program of masterpieces.
‘Anyone for tennis?’ gets new meaning in Benedict and Tedeschi’s take the Gershwin and Schoenberg bromance.
A soul-searching, bracingly honest reflection by two gay men on the complexities of their spiritual and cultural inheritance.