The old-fashioned immediacy and intimacy of theatre harnessed in a drama addressing the most frightening concerns of the post-global era.

The pitfalls of adolescence and the dangers faced by young women in a play that balances the comic and the compassionate with the cautionary.

A fine balance of contemporary and traditional works culminates in a drawn-out, roof-shaking finale.

Donald Runnicles has the audience riding along on a crest of a wave. 

Performed in Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.

A brave program that set minds racing off into thoughts seldom contemplated to such depth in a concert hall.

Kathryn Selby’s new cello friend, SSO's Catherine Hewgill, makes for a trio made in heaven.

Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.

The wait was well worth the while for Canadian piano great Marc-André Hamelin’s Sydney recital debut.

A "supremely joyful performance" wraps up WASO's Chamber Series for the year.

Piano great Marc-André Hamelin’s momentous SSO debut; Runnicles pays fitting tribute to Shostakovich.

Challenging repertoire, executed with a quiet confidence and attention to detail.