Tim Rice and Andrew Lloyd Webber’s musical is showing its age, despite a zingy new production and great performances by Euan Fistrovic Doidge, Paulini and a talented children's ensemble.
Madeleine Easton’s recreation of Monteverdi’s thanksgiving for the end of the plague hits home with Sydney audiences.
Christopher Bowen’s new choral work, based on former Prime Minister Keating's Redfern speech, expresses our determination to reconcile, atone and work to a shared future with First Nations people.
Closing its season, ACO explores the music of the New World from divine Dvořák, Feldman, Price and Walker to Bryce Dessner, John Adams and a world premiere by his son Samuel.
Featuring a virtuosic performance on guitar by crowd favourite Pablo Sáinz-Villegas, this Spanish-themed concert provided a vivid full stop to Chief Conductor Jaime Martín's first year with the MSO.
An unsubtly fierce, fun mix of Shakespearean-era fact and contemporary feminist speculation.
Johannes Fritzsch conducts a celebration of Bohemian music, including Smetana's Má vlast, Janáček's Taras Bulba and Brent Grapes' world premiere performance of Nigel Westlake's Trumpet Concerto.
This home-grown, semi-staged concert version is pretty darn good and a real crowd-pleaser.
In its Australian debut, the sax quartet, with violin, performs a seamless program of Bach, Weil and Gershwin, showcasing an exemplary sense of balance, clarity and tone.
Traversing time and place, this must-see play examines the oil industry, empire and greed through the microcosm of a timeless mother-daughter relationship.
This family comedy has an impressive set and shining musical numbers, but is a bit too eager for a happy ending.
Andrea Keller's ideal mid-week concert allows listeners to indulge in meditative escapism.
Updated to 1953, and with an Aussie Elsie, this good-looking production misses too many opportunities.
