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Chamber, Classical Music, Festivals
Live Review

Review: 4 Greatest Classical B’s (Adelaide Virtuosi Trio/Adelaide Fringe)

The Adelaide Virtuosi Trio delivers a generous, if not perfect recital of chamber favourites.

February 25, 2022
Chamber, Classical Music
Live Review

Review: Fantasias (Ensemble Q)

Ensemble Q’s concert Fantasias soothed the soul, mixing styles and periods into a meditative, melodious whirl.

February 24, 2022
Theatre
Live Review

Review: Blindness (Donmar Warehouse/Adelaide Festival)

Blindness is an immersive, challenging theatrical experience performed by one of Britain’s best actors.

February 24, 2022
Classical Music
Live Review

Review: Eric Avery (Phoenix Central Park)

Avery's solo performance was hypnotic and completely entrancing, a mood reflected and enhanced by the incredible architecture of Phoenix Central Park.

February 24, 2022
Chamber
Live Review

Review: Australian String Quartet: Britten, Paterson and Beethoven (Utzon Room, Sydney Opera House)

Crack quartet shows off its new line-up to stunning effect

February 23, 2022
Theatre
Live Review

Review: The Who’s Tommy (Victorian Opera)

It's third time lucky for the long overdue Australian premiere of the classic rock opera.

February 23, 2022
Classical Music
Live Review

Review: A Homage, from Engagement to Peace (Arafura Wind Ensemble)

Arafura Wind Ensemble took the audience on a musical journey back to this remote northern town in the lead-up to and during the bombing of Darwin 80 years ago on February 19, 1942.

February 23, 2022
Chamber
Live Review

Review: Jonathan Paget & Darlington Quartet (Musica Viva Australia)

Delightful concert presents a well-crafted and genuinely interesting program, reflecting the startling depth of talent in chamber music currently on offer for audiences in Western Australia.

February 22, 2022
Classical Music, Vocal & Choral
Live Review

Review: Two different portraits of Daniel Solander (Sydney Chamber Choir & The Marais Project)

Two different visions of Daniel Solander, Australia's first Swede.

February 22, 2022
Opera
Live Review

Review: Alice’s Adventures in Wonderland (Australian Contemporary Opera Co.)

ACOCo. has confidently emerged from the pandemic with an endearing family (or picnic-with-a-friend) opera, based on Lewis Carroll's famous story.

February 21, 2022
Chamber, Classical Music
Live Review

Review: Fireworks and Fury (Southern Cross Soloists)

James Wannan’s devilishly difficult execution seemed effortless on the viola, earning him MVP (Most Valuable Player) of the concert, with Konstantin Shamray coming a close second!

February 21, 2022
Opera
Live Review

Review: Otello (Opera Australia)

Opera Australia's Otello is a must-see, not only for the incredible vocal and musical forces on show, but to witness Yonghoon Lee’s history-making role debut.

February 21, 2022
Opera
Live Review

Review: The Magic Flute (Pacific Opera, Willoughby Symphony Orchestra)

This pocket-sized production was an ideal introduction to opera for the young, for opera neophytes and for those who seek an edited experience.

February 21, 2022

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