The launch of dance collective Project Animo with five new works is exciting. Alice Topp's Patina is a real keeper but the program could be better curated.

Colourful, quirky, energetic and fast-paced, this Comedy of Errors is an enjoyable romp for most ages.

With its universal message that no one is only what you see, Black Brass is a joy, though more detail in the writing would help the audience care more.

Using 22 Bob Dylan songs, this play with music, set in 1934 during the Great Depression, gradually draws you into its world and leaves you filled with emotion.

Sydney Festival opened last night with a dazzling performance of Ohad Naharin's Decadance performed by Sydney Dance Company, while 80 protestors gathered outside.

Small is beautiful as Mornington’s boutique festival goes online

Emotions aplenty and messages of hope as Australian Haydn Ensemble plays its first live concert in two years

The Song Company establishes a new Christmas tradition with an engaging performance of carols – some new, some old, but all beautifully performed.

Sport for Jove introduced itself to metropolitan Sydney audiences with As You Like It back in 2009, and this production retains the infectious charm of the first.

IOpera provide a well-conceived and pleasurably diverting picture of Handel’s little masterwork, showing that young blood is inspiring the future of opera in Australia.

An invigorated Queensland Ballet ends the year on a high note of enthusiastic excellence.

Duo Eclettico beautifully navigated two large-scale, highly difficult and complex works by Ross Edwards and Jane Hammond so that they seemed nearly effortless