Andrea James’s biographical play about Evonne Goolagong Cawley tells an important story, cleverly staged on a tennis court.

Inspired by Vivaldi's Four Seasons, there are some lovely visual and musical effects, but the production doesn't get to grips in real depth with the issues promised.

You really won’t believe what James Galea and his band of merry magicians can do in a new Sydney Opera House revue.

Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.

Jane Sheldon gives a gripping performance in a work that resonates powerfully with the climate crisis.

Julie Lea Goodwin is gorgeous as the merry widow Hanna Glavari, and perfectly supported by Alexander Lewis as Danilo Danilovich.

Melbourne’s first major theatre production in ages is an accessible alfresco romp.

Shaun Rennie's production finds its emotional groove in the second act when the musical itself gives the characters more room to breathe.

As part of her remarkable Density 2036 project, extraordinary flautist Claire Chase gives the world premiere of a work by Liza Lim in New York.

A solid cast and a few bursts of genuine laughter could not firm this limp, over-extended play.

A marvellous adaptation of a heart-warming tale for our times, brilliantly recreated by shake & stir theatre co.

An improvisational powerhouse pushing the limits of jazz, blues, and middle eastern music, live and intimate at the Utzon Room.