David Greco and Erin Helyard's imaginative program of baroque rarities makes for an ideal return to the concert hall.

An acerbic two-hander interrogating class, privilege, and power in art and storytelling.

This farce, set over Christmas lunch, is written with an unusual twist, but the humour largely fails to land.

Four young Adelaide composers create exciting new and experimental works.

Electric viola da gamba ensemble Elysian Fields conjure dark introspection in Sydney's cosy Mary's Underground.

The restrained but heartfelt emotion of Fauré’s Requiem cut through the downpour outside with reassuring harmony and warmth.

Ensemble Offspring's performance for the SOH digital program, in front of a live audience, is a joyous, mesmerising occasion.

Topology rise to the occasion for a top-shelf performance of favourites.

Kodie Bedford’s raucously funny debut play gives us a big-hearted story that sings true.

Led by flautist Melissa Farrow, the Brandenburgs dance their way across France and England in a cheery return to the stage.

The Australian chamber opera examining the life of the sister of bushranger Ned Kelly invites curiosity and is mostly satisfying.

A joyous return to the main stage for Opera Queensland with ENCORE.