Review: Shakespeare’s The Tempest (Queensland Symphony Orchestra)
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
Ali McGregor and Signum Saxophone Quartet deep dive the Hollywood Songbook in a stirring blend of sass, strut and swagger.
A pure toned and rapturous performance from TSO Concertmaster Emma McGrath brings freshness to beloved works.
Solo and together, Konstantin Shamray and Paavali Jumppanen deliver a flawless showcase of their talent.
AHE and David Greco take us to their lieder - with strings attached.
Two composers from behind the Iron Curtain presented with subversive flair.
Under guest leader Shaun Lee-Chen, WASO pivots convincingly to historically-informed performance mode.
Some narrative clarity lost in this fast-paced concert-style production but a brilliant cast bounces everything off the back wall - and that's a very long way.
A queer rom-com in cosplay, where love gets lost in the blur between virtual and real.
Baritone David Greco and Australian Haydn Ensemble achieve the tight and coordinated ebb and flow required to give lieder its life.
Kenneth MacMillan’s masterpiece is back, as potent and sexy as ever, and danced to perfection.
Soprano Nicole Car dazzles in this thoughtfully programmed concert also featuring her baritone husband Étienne Dupuis.
With a theme of freedom hard-won, and an emphasis on Finnish and Australian Indigenous music, Fantasia is a taste of the Festival in its entirety.