Review: Home, I’m Darling (Melbourne Theatre Company)
This fun satire about 1950s domestic bliss is more style than substance.
This fun satire about 1950s domestic bliss is more style than substance.
Venezuelan maestro and last-minute stand in raise the stakes in a memorable Das Lied von der Erde.
One of David Williamson’s last new plays, this dark comedy feels urgent, incredibly topical and invigorating.
A humble yet powerful opera about the transgender experience makes its Australian debut.
A meditation on love, loss, connectivity and a heartfelt reminder of the power and symbolism of the written word.
A delightful look at the life and career of one of Britain’s most beloved actors.
An impressive Sydney debut by British choir Tenebrae at the Sydney Festival.
A witty, hypnotic response to Virginia Woolf's Orlando.
The plot may be pretty flimsy with holes in the narrative but the joyous score is irresistible and the message is as important as ever.
Symbolism and metaphor abound in this complex, ambitious, exciting work by Liza Lim for soprano with ensemble.
This adults-only cabaret takes time to really connect but ultimately delivers plenty to enjoy, even in its more solemn moments.
This new show captures the spirit of Reg Livermore's seminal 1975 solo show, cleverly combining old and new material for audiences today.
The beloved wedding rom-com gets a smart, sharp update in this world premiere.