Review: Meet Me at the Baths (Whale Chorus & New Annual Festival)
The perfect piece with which to celebrate the egalitarian vibe, history and importance of Newcastle's Ocean Baths to the community.
The perfect piece with which to celebrate the egalitarian vibe, history and importance of Newcastle's Ocean Baths to the community.
Associate Principal Clarinet Som Howie excels in a showcase helmed by guest conductor Vasily Petrenko.
Thoughtfully transmitted, thoroughly immersive and fittingly beguiling – all at once.
A resoundingly successful concert shows us how Joe Hisaishi's music touches the hearts of movie fans worldwide.
Musical theatre stars Amy Manford and Josh Piterman sing a feast of favourites marred by sound issues.
Simon Stephens' portrait of working-class English life gets a sharp Australian premiere.
The brilliance of Dylan Van Den Berg’s writing lies in its ability to humanise the impact of colonisation in a way that resonates with a broad audience.
The old-fashioned immediacy and intimacy of theatre harnessed in a drama addressing the most frightening concerns of the post-global era.
The pitfalls of adolescence and the dangers faced by young women in a play that balances the comic and the compassionate with the cautionary.
A fine balance of contemporary and traditional works culminates in a drawn-out, roof-shaking finale.
Donald Runnicles has the audience riding along on a crest of a wave.
Performed at Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.
A brave program that set minds racing off into thoughts seldom contemplated in such depth at a concert hall.