Ravel’s Mother Goose starts the program, but the golden egg on this occasion is a Richard Mills world premiere.

The vocal prowess of Celeste Lazarenko and Morgan Pearse the icing on the cake in Pinchgut's staging of Pergolesi's riotous 'tiny' opera.

A stripped back take on Shakespeare’s tragedy boldly chooses not to play the racism card – with mixed results.

While it’s good to leave a theatre all warm and optimistic, Orlando's non-engagement with opposing sentiment feels like calculated avoidance.

A hilarious and heart-wrenching new musical comedy about mothers, daughters, ghosts and karaoke.

Steve Martin and Edie Brickell's bluegrass musical is a heart-on-sleeve winner with everyone on stage a quadruple threat.

A moving story of resilience and resistance, Back to Bilo is a call to action in every sense.

Genevieve Lacey and Simon Martyn-Ellis cast a spell in a concert spanning medieval hymns to contemporary Australian works.

In a well-cast production of jaw-dropping design and theatricality, playwright Tom Wright returns to Troy to explore timeless themes of war.

Future stars shine bright in this showcase of Australia’s young musical talent.

Chen makes the diabolically difficult look easy in a recital that perfectly balances technical flash with musical sensitivity.

A stripped-back retelling of a Golden Age classic explores confinement, control and freedom with sharp performances and design.