Review: Songs without Words (Selby & Friends)
Kathryn Selby’s new cello friend, SSO's Catherine Hewgill, makes for a trio made in heaven.
Kathryn Selby’s new cello friend, SSO's Catherine Hewgill, makes for a trio made in heaven.
Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.
The wait was well worth the while for Canadian piano great Marc-André Hamelin’s Sydney recital debut.
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
Piano great Marc-André Hamelin’s momentous SSO debut; Runnicles pays fitting tribute to Shostakovich.
Challenging repertoire, executed with a quiet confidence and attention to detail.
A unique, sometimes hilarious and very memorable celebration of the tapestry of our lives and stories.
Michael Tippett’s most famous work delivered powerfully by the star-studded Sydney Philharmonia Choirs.
Ravel’s Mother Goose starts the program, but the golden egg on this occasion is a Richard Mills world premiere.
The vocal prowess of Celeste Lazarenko and Morgan Pearse the icing on the cake in Pinchgut's staging of Pergolesi's riotous 'tiny' opera.
A stripped back take on Shakespeare’s tragedy boldly chooses not to play the racism card – with mixed results.
While it’s good to leave a theatre all warm and optimistic, Orlando's non-engagement with opposing sentiment feels like calculated avoidance.
A hilarious and heart-wrenching new musical comedy about mothers, daughters, ghosts and karaoke.