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Classical Music, Opera
Live Review

Review: Turandot (Opera Australia)

Amber Wagner blazes as Puccini’s icy princess.

January 16, 2019
Theatre
Live Review

Review: Old Stock: A Refugee Love Story (2b Theatre Company, Sydney Festival)

A moving story about two Romanian Jews seeking refuge in Canada, spliced with exuberant klezmer songs.

January 14, 2019
Theatre
Live Review

Review: Shànghǎi MiMi (Sydney Festival)

The Paris of the East glitters seductively in Sydney's West.

January 13, 2019
Theatre
Live Review

Review: Charlie and the Chocolate Factory (John Frost and others)

It's maybe not as thrilling a show as some of Willy Wonka's confectionery, but there's plenty to enjoy.

January 12, 2019
Theatre
Live Review

Review: Daughter (Sydney Festival)

A well-crafted piece of theatre that requires a constant negotiation of what it means to be an audience member.

January 11, 2019
Classical Music, Opera
Live Review

Review: La Passion de Simone (Sydney Chamber Opera, Sydney Festival)

Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.

January 10, 2019
Theatre
Live Review

Review: HOME (Sydney Festival)

Full of stage magic and illusion, HOME at the Sydney Festival offers a touching look at the intimate moments that make a house a home.

January 10, 2019
Theatre
Live Review

Review: Since Ali Died (Griffin Theatre Company)

Omar Musa’s politically-charged show tells pointed, moving personal stories about life in Australia today.

January 8, 2019
Classical Music, Opera
Live Review

Review: La Bohème (Opera Australia)

A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.

January 4, 2019
Classical Music
Live Review

Review: Messiah (Adelaide Symphony Orchestra)

A refined sound from the orchestra, with stellar soloists and deft work from the Adelaide Chamber Singers.

December 19, 2018
Dance
Live Review

Review: The Nutcracker (Queensland Ballet)

The production is beginning to show its age, but the dancers bring it to life with joyous exuberance.

December 17, 2018
Classical Music, Vocal & Choral
Live Review

Review: Handel’s Messiah (Melbourne Symphony Orchestra)

Does this treasured Christmas tradition need a little more TLC?

December 17, 2018
Classical Music
Live Review

Review: Haydn’s Farewell (Australian Haydn Ensemble)

A final concert full of vitality, with guest star Erin Helyard.

December 14, 2018

Posts pagination

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