A tricky acoustic and the late summer heat took some of the shine off AHE's Sunrise.

Inspired by the tragic story of an exorcism-gone-wrong, Melissa Reeves' play is scintillating and surreal.

OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.

The Australian Art Orchestra and the Tatana Village Choir from PNG conduct a conversation across genres, across worlds.

Pina Bausch's works are still remarkable, but the distance between the late choreographer and the company bearing her name is palpable.

Uneven performances and overzealous vocal projection undermine the subtleties of Chekhov’s drama.

In front of a full house, an artistically successful showcase of the artistic potential of intercultural collaboration – at a time when it's sorely needed.

Stepping in at the last minute due to Alfred-related cancellations, the ACO Collective had the wind at its back as it opened the 2025 OFCM.

London jazz mover and shaker Shabaka Hutchings helps lower the collective heartbeat.

Forced Entertainment throws everything under the kitchen sink at Shakespeare to create a rich, strange and illuminating experience.

Eighteen works symbolic of pilgrimage delivered by seven singers at the top of their game.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.