Under Jaime Martín's baton, the MSO prioritised clarity and precision, allowing Mahler’s meticulous orchestration to speak for itself.

Erin Helyard takes us on a fantastic journey through Bach’s Baroque universe.

Early-music specialists and soprano Jacqueline Porter present a rare display of 17th century Gaelic and English tunes.

An enjoyable Antarctic romp from Perth's The Last Great Hunt, with more than a touch of Wes Anderson's The Life Aquatic to it.

Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.

Irish actor Stephen Rea delicately explores the nooks and crannies of Samuel Beckett's rueful monodrama.

SSO Concertmaster Andrew Haveron is a violin god hiding in plain sight.

Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.

Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.

Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.

Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.

Beautiful contrasts abound as 11 Australian composers arrange 12 of Jess Hitchcock’s songs.