Review: Tree of Codes (Spoleto Festival, Charleston)
Aussie composer Liza Lim's intriguing 'cut-out' opera receives a handsome second staging in the USA.
Aussie composer Liza Lim's intriguing 'cut-out' opera receives a handsome second staging in the USA.
Get her while you can, don't turn your back on love.
A great experience marred by some political correctness, says Colin Mackerras.
Australian singers abound, including a dastardly Peter Coleman-Wright as Don Alfonso, in Opera Holland Park's Così.
Thrilling colour and quality from Australian violinist Grace Clifford and the ASO.
It doesn't get much better than this: a superb evening of song from the renowned American baritone.
Sport and theatre collide in this impassioned work about footy, family, and never giving up on your team.
Liam Scarlett's version of The Firebird is ravishing, and vastly more compelling than Carlos Acosta's Carmen.
Taryn Fiebig and Jud Arthur steal the show as a luminous Adam and Eve.
New York flute player Claire Chase kicks off Backstage Music’s 2018 season with a bang.
Forty years young: Canada’s finest continue to delight with a winning formula.
Blazey Best gives a heart-on-her-sleeve performance in a show that doesn't shrink away from the gritty realities of vaudeville and burlesque.
Sharon Millerchip charms in Willy Russell's ever-popular, uplifting play.