Review: Night Night (The Last Great Hunt)
An enjoyable Antarctic romp from Perth's The Last Great Hunt, with more than a touch of Wes Anderson's The Life Aquatic to it.
An enjoyable Antarctic romp from Perth's The Last Great Hunt, with more than a touch of Wes Anderson's The Life Aquatic to it.
Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.
Irish actor Stephen Rea delicately explores the nooks and crannies of Samuel Beckett's rueful monodrama.
SSO Concertmaster Andrew Haveron is a violin god hiding in plain sight.
Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.
Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.
Beautiful contrasts abound as 11 Australian composers arrange 12 of Jess Hitchcock’s songs.
Seann Miley Moore glitters hard in John Cameron Mitchell and Stephen Trask’s cult musical.
Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.
An expansive evening of music to sink into and escape reality with – and plenty of time in which to do so.
Alana Valentine's new play produces a warm glow as contrasting views are explored and a secret is revealed.