Review: Cruise (Fruit Box Theatre & KXT bAKEHOUSE)
You won’t see a more agile 90 minutes of solo acting this year – or an indie production more deserving of a return season.
You won’t see a more agile 90 minutes of solo acting this year – or an indie production more deserving of a return season.
Playing the recently installed organ at St James' Sydney, Joseph Nolan makes light work of some challenging material.
The interrogation of US national security translator Reality Winner transformed into a perfect work of theatre for this age of uncertainty.
This contemporary retelling of the doomed love story of Orpheus and Eurydice, combined with another Greek myth, makes for a surprising, thrilling musical.
The spell cast by Venezuelan male soprano Samuel Mariño in this Handel-heavy program can only be broken with thunderous applause.
What starts as a petty arrest spirals into something much bigger in this story based on a famous Victorian scandal.
New Fab Four Australian Guitar Quartet launches with a spectacular lift-off.
The Singapore Symphony slings a dazzling – and true-blue – Down Under debut.
Who better to open a new venue than this brilliant all-round entertainer, who has his audience in stitches and close to tears.
Some stellar performances, but this satire set in the corridors of power in Canberra doesn't deliver on the promise of an "incisive deep dive".
Anton Chekhov's unhappy siblings updated in a well-acted adaptation with an Australian 'vibe'.
A powerfully staged reminder that, like everyone else, kings and gods struggle to deal with their own failings, weaknesses and desires.
A brilliant concert celebrating contemporary and classical works for cello and piano also explored the cello’s sonic properties with advanced playing techniques.