The German pianist and composer is a marvel of live electronic performance.

Ehnes and his 1715 Stradivarius have become a familiar sight on Sydney Opera House’s concert hall stage, but he always surprises.

Bell Shakespeare's new Henry 5 highlights the truism that war is always fuelled by the bodies of the young.

The chamber opera adaptation of Jane Austen’s novel makes its Melbourne debut with a cast in tune with their characters.

The Robot Dog is a play of big questions and too many ambitious ideas.

An adventurous evening for new music enthusiasts at Sydney’s Goethe Institute.

Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.

Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.

In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.

Phoenix Collective rises to the occasion with its wide-ranging Sydney Opera House debut.

An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.

A finely crafted exposition of Vivaldi's largely ignored amalgam of four sacred works.