Review: The Necks
At the top of a new Australian and international tour, The Necks cast a mesmerising spell.
At the top of a new Australian and international tour, The Necks cast a mesmerising spell.
A charmer of a performance from Natalie Bassingthwaighte, but 40 years after it was written, Shirley Valentine feels more nostalgic than necessary.
An uplifting concert combining Chinese and Western music to celebrate the Lunar New Year.
Fresh, funny and familiar, David Williamson's new family comedy hits all the right notes.
Matthias Schack-Arnott's spatial upgrade to Cage's Sonatas and Interludes honours a radical work with innovation of its own.
Making their Australian debut, Bristol's Ishmael Ensemble showcase their atmospheric, reverb-heavy soundscapes and brilliant command of texture and form.
Disorientating sometimes, but Thirty-Six is a deeply sincere and authentic story of survival, community and discovering beauty within chaos.
Five virtuosic acts nestled within an outdoor harbourside spin a soggy afternoon into gold.
Terrific riffing, telepathy and artistry from French reed virtuosi NoSax NoClar.
A scintillating, uncomfortable comedy that lets no-one off its hook – especially the audience.
The comic jewel in Opera Australia’s crown is back, reinvigorated by a brilliant cast and a reading of Rossini’s score under conductor Daniel Smith that’s up there with the best.
In her new cabaret show, Rachael Beck celebrates 16 high-achieving Australian women, each with an inspiring story to tell.
Ex-Hamlets Brendan Cowell, Ewen Leslie and Toby Schmitz make merry with the concept of ‘lived experience’ in a comic exploration of actorly trauma.