Simone Young wields her magic Mahler wand to set the SSO’s new season on its way.

Never Have I Ever's central question is one that reverberates through contemporary discourse: Who, exactly, has it the worst?

Director Robyn Nevin delivers more good old-fashioned British intrigue and murder with her second Agatha Christie play.

Andrew Bovell distills a century of political violence and secrecy into the story of a Madrid family struggling with its demons.

A stark staging at Red Stitch leaves Joanna Murray-Smith's divorce drama out in the cold.

This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.

This new play by Patricia Cornelius explores the importance and price of dissent with varied impact.

This rollercoaster satire on the current state of American politics makes for a wildly entertaining ride.

Inspired by a true story, Lillian Hellman's drama about the malevolent power of gossip and insinuation proves plenty gripping.

Max Richter and the American Contemporary Music Ensemble delivered precisely what’s on the tin and then some.

Glamour, passion, gunfire and chorales make for a heady mix from Latvia’s talented Balanas Sisters.

The little company that could presents opera’s longest work in a vast space that proves surprisingly perfect.