Review: 4000 Miles (Sydney Theatre Company)
A top-notch staging of Amy Herzog's warm, wise and pithy play about two people from very different generations stuck in an uncertain present.
A top-notch staging of Amy Herzog's warm, wise and pithy play about two people from very different generations stuck in an uncertain present.
A starry night night of new contemporary works with Tara Gower's riveting Ripples shining hardest.
A playful, irreverent adaptation of Emily Brontë's doomy novel, delivered by a brilliant cast of British triple threats.
HKSO's Sydney debut ushers in the Lunar New Year with music ranging from Baroque to Canto-pop.
From its box of birds opener to Telemann at teatime, Salut! celebrates the span of the Baroque and 30 years of music-making.
A sumptuous, perfectly cast production of this rarely performed musical gives deeply satisfying context to some of Sondheim’s most loved songs.
At the top of a new Australian and international tour, The Necks cast a mesmerising spell.
A charmer of a performance from Natalie Bassingthwaighte, but 40 years after it was written, Shirley Valentine feels more nostalgic than necessary.
An uplifting concert combining Chinese and Western music to celebrate the Lunar New Year.
Fresh, funny and familiar, David Williamson's new family comedy hits all the right notes.
Matthias Schack-Arnott's spatial upgrade to Cage's Sonatas and Interludes honours a radical work with innovation of its own.
Making their Australian debut, Bristol's Ishmael Ensemble showcase their atmospheric, reverb-heavy soundscapes and brilliant command of texture and form.
Disorientating sometimes, but Thirty-Six is a deeply sincere and authentic story of survival, community and discovering beauty within chaos.