Double delight as two international sensations – conductor Dmitry Matvienko and violinist Aiko Suwanai – make their Sydney debuts.

An audience well and truly transfigured by a night at the Opera House.

Filled with pinch-me moments, this is opera of and for the people – with one of the finest Abigailles you’re likely to hear.

Wagner and Debussy made shipshape and a major new contribution to Australia’s choral and symphonic repertoire from Paul Stanhope.

A dazzling production brings the fantasy of Mozart’s Magic Flute into the present day.

A queer clown show with bite takes aim at Sydney’s millennial rich, their bathroom renos and their brats.

This staging of a story said to have predicted so much about the world today lacks topical spark and specificity.

Benjamin Appl shines in a program calculated to please lovers of Schumann, French Impressionism and Art Song.

A bird-lover confronts us with the finality of species erasure while gently pointing to the fragility of our own existence.

The talent runs deep in this gripping adaptation of Patricia Highsmith's classic thriller.

Germany's techno aristocrat confirms his status in a showcase part demonic, part divine.

The UKARIA Cultural Centre celebrates its first decade with Pekka Kuusisto’s intriguing program for strings and an all-star cast.