Review: Ilarun: The Cutting Comb (Amarantha & Quiet Riot)
This satirical drama about slavery in the West Indies is more than a period piece.
This satirical drama about slavery in the West Indies is more than a period piece.
A top-shelf cast ensues little is lost in a stripped-back staging of Gilbert and Sullivan's rollicking melodrama.
Elegance in spades, but little electricity between the leads in this Shanghai Ballet showcase choreographed by Briton Derek Deane.
A shared life in St Kilda becomes a microcosm of deeper tensions and, for its audience, a mirror of universal concerns.
Meticulous design a rock-solid foundation for an intimate story of small town friendships, rivalries and tragedy.
AHE whips up the perfect Sturm to end its season of varied highlights.
Life, love, victory, and a simple man's search for meaning prevail in Rossini’s final opera.
Accompanied by Peter Dugan on piano, Joshua Bell reclaims the title of rock star with his perfect readings of Mozart, Schubert and Fauré.
In these worrying times, Omega Ensemble ends its season on a hopeful note.
Leoš Janáček’s quasi-operatic song-cycle makes for a satisfying hour of neatly focused, transportive performance.
In this concert, Brigette Heuser proves that mezzos can show pony just as much as the sopranos when given the opportunity to shine.
It's time to pull the 'cracker, with Tchaikovsky, the art of classical dance and a swag of gorgeous tutus lighting up the revival of Peter Wright’s production.
WASO ends its 2024 classical concert season on a towering high.