A slight but sweet show, which demands stellar performances and plenty of razzle-dazzle to offset its limitations.

The MCO and the Recital Centre's acoustics endow a stripped-back Messiah with the gravitas of a much bigger production.

A consistently engaging, perfectly blended concert of changing moods, from Bach to the Beatles.

Natasha Herbert shines in this loving yet unflinching depiction of the experience of – and the caring for – someone living with dementia.

The combined forces of WASO, Clara Jumi-Kang and conductor Vasily Petrenko make for a splendid night indeed.

Joanna Erskine’s engaging drama hinges on a theory you don't have to believe in to enjoy.

With lashings of on-stage chemistry, this all-conquering Neil Armfield production of Handel's Julius Caesar is a triumph.

Australian String Quartet light the skies with a trio of magnetic works.

The opening night performance of the first and third symphonies gets the MSO's Beethoven Festival off to a brilliant start.

A manifestly dark, intense and complicated story illuminated by a stellar cast, clever direction and superb design.

Simone Young is both maestro and master storyteller in this perfect reading of Die Walküre, with the SSO and an all-star cast at the top of their game.

Lynn Nottage’s microcosmic Sweat shows us what happens when the American Dream becomes an impossibility for working people.