Excerpts from Star Wars, Harry Potter, Superman etc. Shaun Micallef; SSO/Guy Noble Sydney Opera House Concert Hall, August 12 Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A concert of well-known works can still be an exciting event if handled properly.
The Australian Festival of Chamber Music’s Reef Talk explores environmental issues through music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Debussy La Mer Nielsen Symphony No 5 AYO/Thomas Dausgaard Sydney Opera House, July 22 Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Pinchas Steinberg shows what a difference diligent and inspiring conducting can make.
Highly traditional British fare, lightly seasoned with the topical.
Stuart Maunder directed, compèred and played the patter roles very adroitly and the cast was largely in good form.
Martin Fröst’s got moves; he should be crowned Scandinavia’s Lord of the Dance.
The Australian Ballet’s decision to mount a program of British ballet was an excellent one.
Director Christopher Alden has had a field day, drawing from the visual language of Salvador Dalí, Man Ray and other surrealists of the 1930s.
Cecilia Bartoli has become one of today’s most popular and recognisable classical stars.
Listen here to Ezio Bosso’s minimalist music for piano, violin and cello, composed specially for Sydney Dance Company.
The improvements in this orchestra since its first outing last year are notable, primarily due to conductor Nicholas Carter’s ever-strengthening grasp of his craft.
