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Classical Music
Live Review

Review: Shostakovich’s First Cello Concerto (Steven Isserlis, Melbourne Symphony Orchestra)

Cellist Steven Isserlis demonstrates what a consummate artist’s total commitment to a composer's vision looks and sounds like.

October 4, 2024
Theatre
Live Review

Review: I hope this means something (Melbourne Fringe Festival)

Performer-writer Patrick Livesey invites audiences to consider the climate crisis in the context of a related existential one.

October 4, 2024
Theatre
Live Review

Review: Well-Behaved Women (Belvoir & Michelle Guthrie Presents)

Carmel Dean's witty, insightful song cycle has plenty to say, with fabulous performances from a top-notch cast.

October 4, 2024
Theatre
Live Review

Review: Mary Shelley’s Frankenstein (Shake & Stir and Crossroads Live)

Brought to life on stage with searing visuals, this Shake & Stir adaptation is a monstrously worthy addition to the Frankenstein canon.

October 3, 2024
Theatre
Live Review

Review: Seventeen (WildThingProduction and Seymour Centre)

Mature actors channel their younger selves in Matthew Whittet's poignant portrait of schoolies on the cusp of adulthood.

October 2, 2024
Chamber, Classical Music
Live Review

Review: Ensemble Q and William Barton (Musica Viva Australia)

William Barton continues to expand the horizons of the instrument of which he is arguably Australia’s leading player.

October 2, 2024
Theatre
Live Review

Review: Bad Boy (fortyfivedownstairs & Melbourne Fringe)

From Patricia Cornelius, a schematic thesis on contemporary masculinity and abusive men enabled by a complicit system.

September 30, 2024
Classical Music
Live Review

Review: Runnicles conducts Mahler 4 (Sydney Symphony Orchestra)

Mahler’s child-like innocence and some highly perfumed Strauss make for a heady mix from the SSO.

September 27, 2024
Opera
Live Review

Review: Gilgamesh (Sydney Chamber Opera, Opera Australia & Carriageworks)

A brilliant, challenging score by Jack Symonds sustains this boldly designed Ur-fable of bloodlust and redemption.

September 27, 2024
Instrumental
Live Review

Review: Wallace & Gromit – The Wrong Trousers (Darebin City Brass Preston Band)

Darebin City Preston Brass Band delivers a dazzling interpretation of a much-loved claymation caper.

September 27, 2024
Chamber, Classical Music
Live Review

Review: Mozart’s Horn (Australian Haydn Ensemble)

Australian Haydn Ensemble blows hot with some virtuoso horn and a scaled down take on Mozart’s Jupiter.

September 26, 2024
Opera
Live Review

Review: Chinese Opera Gala (Ausfeng Event Productions)

A program of expressive contemporary Chinese art songs, rooted in the European art song and Lieder tradition.

September 26, 2024
Theatre
Live Review

Review: The Puzzle (State Theatre Company South Australia)

David Williamson's cruise ship satire The Puzzle presents like a classic romp from the 1970s. Lower your expectations accordingly.

September 25, 2024

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