Review: For the Love of Paper (KXT on Broadway)
For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.
For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.
Australian Haydn Ensemble, Celeste Lazarenko and Helen Sherman. A heavenly combination indeed
The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.
Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.
A dramatic and detailed Prokofiev Symphony No. 5 made for a fitting end to an exciting evening with the AYO in Hobart.
Angus Cerini’s latest is a jewel of a play: sparely written, expertly polished and, for its 90 minutes, completely engrossing.
A nuanced, emotionally stirring rendition of the last days of Christ, conducted with reverence for music and story.
Experimenters old and new feature in New Yorkers JACK Quartet’s iconoclastic debut show.
Australia’s Mr Baroque, Erin Helyard, led a splendid concert starring soprano Samantha Clarke.
Balm for the spirit in Easter Week, courtesy of conductor Sir Donald Runnicles, cellist Matthew Barley and composer John Tavener.
A timely message of redemption and hope in a concert shining light into the world's dark places.
A goosebump-inducing demonstration of the power of the human voice.
A perfectly-programmed day of pure experimental fun is a lovely tonic of trial-and-error for musicians and audiences alike.