Review: Eternal Light (Pinchgut Opera)
Music of ravishing beauty from the 16th and 17th centuries polished to a glow in this exquisite Pinchgut Opera showcase.
Music of ravishing beauty from the 16th and 17th centuries polished to a glow in this exquisite Pinchgut Opera showcase.
Karen Gomyo's technical assurance and expressive power much in evidence in a concert of music by Debussy, Barber and Franck.
Playfully incorporating ‘relaxed’ and ‘inclusive’ elements, Belvoir's production of the West End hit is right for the times.
Benjamin Britten's chamber opera comes to ghostly, claustrophobic life in a new production at the intimate Hayes.
DSO raises goosebumps in its evocation of Cyclone Tracy, which devastated Darwin on Christmas Eve 1974.
A stellar start for the new SXS annual venture held at the beautiful Shambala Estate on Tamborine Mountain.
Trio Gaspard bring an earthy joyful spirit to Haydn and serve up some very tasty goulash for afters.
Atmosphere aplenty as Sydney Philharmonia Choirs take the audience by storm – literally.
Compelling performances and Benjamin Nichol’s scripts make this double bill of one-handers more than the sum of its parts.
More magical mastery as Augustin Hadelich returns for a second, very different, concert with the SSO.
A delicious performance from Nadine Garner, but too much to chew on in this production's expanded first act.
Welsh playwright Gary Owen’s adaptation puts a fresh edge on Chekhov’s tragicomic exploration of class and privilege.
The musical is patchy but Casey Donovan raises the rafters with her powerhouse vocals.