Some of the best if not-so-well-known local theatre talent deliver a minimalist production of Shakespeare’s tragedy to maximum effect.

Vondráček thrills; WASO responds in kind; audience thunders applause. And that was before the emotional highpoint of the concert.

The Melbourne Symphony Orchestra is operating in a state of damage control and unfortunately it shows.

A much-anticipated production of Jonathan Mills' opera falls short of its abundant promise.

Well-argued, compiled, arranged and delivered, Peter Evans' Shakespeare lecture often feels like something with a theatrical pulse.

Think you know what it means to be passionate? You’ve obviously never met a Horse Girl.

A riveting exploration of Shakespeare's tragedy in dance, with duets made lustrous with anguish and desire.

Beethoven’s sunny chamber music hit marks change in the season in SSO’s latest Cocktail Hour.

Two talented singers delighted their audience, skipping along a path less travelled of art songs, opera and musicals.

Rachelle Durkin in peak vocal and dramatic form in Australian Baroque's exploration of lesser-known opera and chamber works.

Sarah Brightman’s audacious performance unleashes the full potential of Lloyd Webber’s masterpiece in this glittering homage to the Golden Age of Broadway.

Debut by Tokyo diva Yukie Sato wins hearts and minds of the Brandenburg audience.