Review: Chris Abrahams (Piano+)
A legendary improviser and the intimacy of grand Elizabeth Bay House make for a perfect musical pair.
A legendary improviser and the intimacy of grand Elizabeth Bay House make for a perfect musical pair.
Director Tyran Parke deftly balances joy and grief, maintaining a buoyant tone that avoids a descent into melodrama.
In this sensational concert of French music, Olivier Latry reminds us why the organ was long ago crowned The King of Instruments.
Shakespeare’s play is given a feminist shake-up, but this sometimes pedestrian, occasionally unclear take comes undone.
Words and music from the two hemispheres align, inspired by the dawn, mythology, desert landscapes and the forces of nature.
A scintillating performance of great chamber masterpieces by Bartók, Brahms and Beethoven.
Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.
Magnifique! Harpsichord star Justin Taylor sets the stage ablaze with Bach to the power of four.
A strong performance of overly familiar work ultimately overshadowed by the smaller, far more compelling pieces in this Winter Gala's first half.
An exuberant David Helfgott shines on the opening night of his nationwide farewell to public performance.
Emerging artists interpret numerous oddballs of history in this handsomely staged production of a forgotten mid-century gem.
Red Stitch’s first mainstage production transfer sees Kat Stewart playing unfair games of love and war in Edward Albee’s classic.
A near-perfect night at the opera does Puccini proud, with Suor Angelica proven to be the indispensable heart of the work.