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Classical Music, Instrumental
Live Review

Review: Chris Abrahams (Piano+)

A legendary improviser and the intimacy of grand Elizabeth Bay House make for a perfect musical pair.

July 15, 2024
Musical Theatre & Cabaret, Theatre
Live Review

Review: Elegies – A Song Cycle (Clovelly Fox Productions)

Director Tyran Parke deftly balances joy and grief, maintaining a buoyant tone that avoids a descent into melodrama.

July 12, 2024
Classical Music
Live Review

Review: Saint-Saëns’ Organ Symphony (Olivier Latry, Sydney Symphony Orchestra)

In this sensational concert of French music, Olivier Latry reminds us why the organ was long ago crowned The King of Instruments.

July 12, 2024
Theatre
Live Review

Review: Macbeth (An Undoing) (Malthouse Theatre)

Shakespeare’s play is given a feminist shake-up, but this sometimes pedestrian, occasionally unclear take comes undone.

July 11, 2024
Vocal & Choral
Live Review

Review: Aurora (Sydney Philharmonia Choirs)

Words and music from the two hemispheres align, inspired by the dawn, mythology, desert landscapes and the forces of nature.

July 9, 2024
Chamber, Classical Music
Live Review

Review: Jewels in the Crown (Selby & Friends)

A scintillating performance of great chamber masterpieces by Bartók, Brahms and Beethoven.

July 8, 2024
Theatre
Live Review

Review: Dracula (Sydney Theatre Company)

Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.

July 8, 2024
Chamber, Classical Music
Live Review

Review: Night in Versailles (Australian Brandenburg Orchestra)

Magnifique! Harpsichord star Justin Taylor sets the stage ablaze with Bach to the power of four.

July 8, 2024
Classical Music
Live Review

Review: Ryman Healthcare Winter Gala – Carmina Burana (Melbourne Symphony Orchestra)

A strong performance of overly familiar work ultimately overshadowed by the smaller, far more compelling pieces in this Winter Gala's first half.

July 7, 2024
Live Review

Review: David Helfgott – Farewell Tour (Andrew Kay & Associates)

An exuberant David Helfgott shines on the opening night of his nationwide farewell to public performance.

July 5, 2024
Opera
Live Review

Review: English Eccentrics (Victorian Opera)

Emerging artists interpret numerous oddballs of history in this handsomely staged production of a forgotten mid-century gem.

July 5, 2024
Theatre
Live Review

Review: Who’s Afraid Of Virginia Woolf? (GWB Entertainment, Andrew Henry Presents & Red Stitch)

Red Stitch’s first mainstage production transfer sees Kat Stewart playing unfair games of love and war in Edward Albee’s classic.

July 4, 2024
Opera
Live Review

Review: Il trittico (Opera Australia)

A near-perfect night at the opera does Puccini proud, with Suor Angelica proven to be the indispensable heart of the work.

July 4, 2024

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