Notable female talent deliver a one-off, semi-staged performance of the contemporary opera based on Lars von Trier’s disturbing film.

Billed as a special event, Paul Grabowsky’s collaborative debut with the SSO lived up to the hype – and then some.

Soprano Nicole Car makes a rare hometown appearance for this delicious banquet of operatic favourites.

Lin-Manuel Miranda's joyous, heartfelt musical is back at the Sydney Opera House, but the sound needs attention.

Transplanting the Bard's star-crossed lovers to modern-day Cardiff, Gary Owen's play shifts the focus from love and loss to issues of class.

Australian soprano Siobhan Stagg and South African pianist Nico De Villiers shine in a celebration of a neglected American composer.

Martyna Majok's Pulitzer Prize-winning play is a compelling story about the human need for love, care and dignity.

Cellist Timo-Veikko Valve plots the soundlines of his native and adoptive countries in a dynamic and rousing concert.

MESS hopes a shift to the centre of Melbourne will attract new listeners and take Sonorous in unexplored directions. So far, so good.

Often hilarious, sometimes poignant, but this late-nite show doesn’t fully explore the depths of Jonathan Larson's semi-autobiographical work.

Six years after its first Australian outing, Brett Dean’s must-see opera is back with Allan Clayton recreating his bravura portrayal of the titular Dane.

The SCO returns with a triumphant showcase of fresh interpretation and the interplay between conductor and concertmaster.