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Dance
Live Review

Review: Carmen (The Australian Ballet)

The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.

April 11, 2024
Theatre
Live Review

Review: Closer (La Boite)

Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.

April 9, 2024
Classical Music
Live Review

Review: Turbulent Times (Australian Youth Orchestra)

A dramatic and detailed Prokofiev Symphony No. 5 made for a fitting end to an exciting evening with the AYO in Hobart.

April 8, 2024
Theatre
Live Review

Review: Into the Shimmering World (Sydney Theatre Company)

Angus Cerini’s latest is a jewel of a play: sparely written, expertly polished and, for its 90 minutes, completely engrossing.

April 8, 2024
Classical Music, Vocal & Choral
Live Review

Review: St John Passion (Melbourne Symphony Orchestra)

A nuanced, emotionally stirring rendition of the last days of Christ, conducted with reverence for music and story.

April 8, 2024
Classical Music
Live Review

Review: JACK Quartet (Utzon Music Series)

Experimenters old and new feature in New Yorkers JACK Quartet’s iconoclastic debut show.

April 7, 2024
Classical Music
Live Review

Review: Handel and Vivaldi Arias (Melbourne Symphony Orchestra)

Australia’s Mr Baroque, Erin Helyard, led a splendid concert starring soprano Samantha Clarke.

April 5, 2024
Classical Music
Live Review

Review: The Protecting Veil (Sydney Symphony Orchestra)

Balm for the spirit in Easter Week, courtesy of conductor Sir Donald Runnicles, cellist Matthew Barley and composer John Tavener.

April 1, 2024
Classical Music, Vocal & Choral
Live Review

Review: Fauré’s Requiem (Sydney Philharmonia Choirs)

A timely message of redemption and hope in a concert shining light into the world's dark places.

March 30, 2024
Classical Music
Live Review

Review: Gloria (St George’s Cathedral Consort & West Australian Symphony Orchestra)

A goosebump-inducing demonstration of the power of the human voice.

March 29, 2024
Audiovisual, Chamber, Festivals
Live Review

Review: Cut Paste Play: Day Two (The Music Box Project)

A perfectly-programmed day of pure experimental fun is a lovely tonic of trial-and-error for musicians and audiences alike.

March 28, 2024
Theatre
Live Review

Review: Cowboy Mouth (Flight Path Theatre)

A fascinating relic of the counterculture era, when theatre, rock music and poetry were colliding.

March 27, 2024
Classical Music
Live Review

Review: One Thousand & One Nights (Darwin Symphony Orchestra)

Darwin Symphony Orchestra's season opening concert cast a mesmerising and memorable spell.

March 26, 2024

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