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Classical Music
Live Review

Review: Víkingur Ólafsson performs Bach’s Goldberg Variations (Sydney Symphony Orchestra)

Iceland's Víkingur Ólafsson takes us through Bach’s “solar system” of magic, beauty and breathtaking mathematics.

March 19, 2024
Theatre
Live Review

Review: The Great Divide (Ensemble Theatre)

A billionaire takes on a supermarket shelf stacker in David Williamson's broad but entertaining satire on wealth and power.

March 18, 2024
Classical Music
Live Review

Review: Schoenberg’s Gurrelieder (Sydney Symphony Orchestra)

Mind-blowing, once in a lifetime Gurrelieder show ticks all the boxes, and then some.

March 17, 2024
Opera
Live Review

Review: “Abbandonata” with Prudence Sanders (West Australian Opera & Australian Baroque)

An impressive Prudence Sanders in various incarnations of historical and mythical heroines including Cleopatra, Armida and Euridice.

March 16, 2024
Theatre
Live Review

Review: Zombie! The Musical (Hayes Theatre Co)

Laura Murphy's new Australian musical about theatre and zombies is hugely entertaining, with plenty of bite.

March 15, 2024
Theatre
Live Review

Review: Holding the Man (Belvoir)

Belvoir's staging creates a powerful sense of community connectedness to the story and its characters. But there's more to do.

March 14, 2024
Chamber, Classical Music
Live Review

Review: Beethoven’s Emperor (Australian Chamber Orchestra)

A historically informed reading, performed on historically informed instruments, this was the Emperor in magnificent old clothes.

March 13, 2024
Instrumental, Jazz, World
Live Review

Review: Arooj Aftab (Melbourne Recital Centre & Arts Projects Australia)

A showcase of undeniable brilliance and beauty from Arooj Aftab, Pakistan's Grammy-winning superstar.

March 12, 2024
Theatre
Live Review

Review: Frame Narrative (New Ghosts Theatre Company)

Although the influences are clear, Frame Narrative never feels derivative. It pushes further towards originality the further it goes on.

March 12, 2024
Chamber, Classical Music
Live Review

Review: Festival Gala (Orange Chamber Music Festival)

Stellar programming, indomitable performers and a world premiere – the Orange Chamber Music Festival put forward a blazing gala concert.

March 11, 2024
Theatre
Live Review

Review: The 39 Steps (Hearth Theatre)

This indie production of the Hitchcock parody play doesn’t always click, but comic energy and clever stagecraft will win audiences over.

March 11, 2024
Classical Music
Live Review

Review: Schumann’s Second Symphony (Sydney Symphony Orchestra)

Schumann’s redemptive symphony provides a handy warm-up for SSO’s Himalayan Gurrelieder trek.

March 10, 2024
Classical Music
Live Review

Review: Rachmaninov’s Third Piano Concerto (West Australian Symphony Orchestra)

Three disparate works which, despite differences in scale and style, beautifully highlight the relationships between soloists and orchestra.

March 9, 2024

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