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Chamber, Classical Music
Live Review

Review: The Four Elements (Brooklyn Rider)

Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.

February 29, 2024
Classical Music
Live Review

Review: Notre-Dame (Australian Brandenburg Orchestra and Choir)

A powerful and moving marriage of music and words pays eloquent tribute to a spiritual and architectural icon.

February 28, 2024
Theatre
Live Review

Review: The Lewis Trilogy (Griffin Theatre Company)

All up, with intervals, The Lewis Trilogy runs about seven hours. But don't let that put you off. As marathons go, it’s a benign one.

February 27, 2024
Chamber, Classical Music
Live Review

Review: Transfigured (3MBS Marathon)

Latitude 37 and a bespoke string sextet make for a concert filled with hope, promise and transfiguration.

February 27, 2024
Classical Music, World
Live Review

Review: Lunar New Year Concert 2024: Chang’an in the Fantasy World (Ausfeng)

Strong community feeling and superb musicianship as Year of the Dragon celebrations continue.

February 27, 2024
Festivals, Musical Theatre & Cabaret
Live Review

Review: Piaf and Brel: The Impossible Concert (Adelaide Fringe)

Melanie Gall delivers a true one-woman show in this tribute to a pair of French superstars.

February 26, 2024
Chamber, Classical Music
Live Review

Review: Universal (3MBS Marathon)

A transfixed audience in the Primrose Potter Salon was treated to music from across cultures in the 3MBS Marathon’s fourth concert.

February 26, 2024
Classical Music
Live Review

Review: Umberto’s Mahler (Queensland Symphony Orchestra)

Mahler's 7th is packed with challenges. Umberto Clerici and the QSO conquered them all.

February 24, 2024
Theatre
Live Review

Review: Gaslight (Queensland Theatre & Newtheatricals)

Absorbing performances, genuinely surprising twists and a new ending for this classic Patrick Hamilton thriller.

February 24, 2024
Opera
Live Review

Review: Eucalyptus (West Australian Opera & Perth Festival)

Perth Festival's in-concert staging is a reminder of the pleasures of immersion in the orchestral world of an opera.

February 23, 2024
Chamber
Live Review

Review: Long Lost Loves (and Grey Suede Gloves) (Musica Viva Australia)

Anna Dowsley slays in this drolly amusing – if a little confusing – showcase of songs by the American composer William Bolcom.

February 23, 2024
Festivals, Theatre
Live Review

Review: The Invisible Opera (Sophia Brous & Perth Festival)

An innovative but inconclusive evening’s entertainment as the sun sets on Perth's Scarborough Beach.

February 23, 2024
Vocal & Choral, World
Live Review

Review: Hope (Soweto Gospel Choir & Adelaide Fringe)

South Africa's ultimate feel-good ambassadors. The more you engage with them, the more you want.

February 22, 2024

Posts pagination

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