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Theatre
Live Review

Review: Gaslight (Queensland Theatre & Newtheatricals)

Absorbing performances, genuinely surprising twists and a new ending for this classic Patrick Hamilton thriller.

February 24, 2024
Opera
Live Review

Review: Eucalyptus (West Australian Opera & Perth Festival)

Perth Festival's in-concert staging is a reminder of the pleasures of immersion in the orchestral world of an opera.

February 23, 2024
Chamber
Live Review

Review: Long Lost Loves (and Grey Suede Gloves) (Musica Viva Australia)

Anna Dowsley slays in this drolly amusing – if a little confusing – showcase of songs by the American composer William Bolcom.

February 23, 2024
Festivals, Theatre
Live Review

Review: The Invisible Opera (Sophia Brous & Perth Festival)

An innovative but inconclusive evening’s entertainment as the sun sets on Perth's Scarborough Beach.

February 23, 2024
Vocal & Choral, World
Live Review

Review: Hope (Soweto Gospel Choir & Adelaide Fringe)

South Africa's ultimate feel-good ambassadors. The more you engage with them, the more you want.

February 22, 2024
Opera
Live Review

Review: Idomeneo (Opera Australia)

Exquisite singing and a feeling of déjà vu mark the return of Mozart’s seminal opera after a 30-year absence.

February 21, 2024
Theatre
Live Review

Review: The Swell (Akimbo + Co. & Old Fitz Theatre)

UK writer Isley Lynn’s The Swell imparts a neck-snapping spin to its decades-spanning story of a queer love triangle.

February 19, 2024
Classical Music
Live Review

Review: Camerata & Alex Raineri: Beethoven (Camerata – Queensland’s Chamber Orchestra)

An evening of vivacious virtuosity and stratospheric highs from an electrifying Camerata and guests.

February 19, 2024
Theatre
Live Review

Review: The Duchess of Malfi (Arrant Knaves Theatre Company)

A classic of early English theatre, this tale of bloody revenge is imperfectly reimagined as Gothic horror.

February 17, 2024
Chamber, Classical Music
Live Review

Review: Échappsodie (Omega Ensemble)

If audience reaction to this concert is anything to go by, Omega Ensemble is well on its way to cementing a whole new fanbase.

February 16, 2024
Chamber, Classical Music
Live Review

Review: Love & Devotion (Australian Haydn Ensemble)

An intimate program of string quartets by Haydn, Mozart and Mendelssohn expertly played by AHE in foursome mode.

February 16, 2024
Theatre
Live Review

Review: Meet Me at Dawn (Melbourne Theatre Company)

Even actors as talented as Sheridan Harbridge and Jing-Xuan Chan can’t make this two-hander about love and grief particularly memorable.

February 16, 2024
Theatre
Live Review

Review: The Picture of Dorian Gray (Michael Cassel & Sydney Theatre Company)

Sarah Snook gives a breath-taking tour de force performance as the London lead in Sydney Theatre Company's The Picture of Dorian Gray.

February 16, 2024

Posts pagination

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