ASO's Symphony Series wraps with a concert of rhapsodic, sensuous music and a magical performance by violinist Anthony Marwood.

This playful and intriguing adaptation of Virginia Woolf’s gender-bending novel rethinks musical-theatre conventions.

Guest Conductor Umberto Clerici and WASO’s Principal Oboe Liz Chee serve up a delicious musical banquet – one that leaves you hungry for more.

An absorbing exploration of diverse musical traditions through some mesmerising improvisation and experimentation.

An unforgettable display of technique, artistry and talent from the Peruvian star – and stage personality to seal the deal.

Beginning as a tribute to sculptor Alexander Calder, this Olivier Award-winning opera becomes a brilliant meditation on human folly.

A stellar reputation confirmed in this hugely enjoyable recital, one full of sensitivity and fireworks.

Chong and Rowell take their audience on a stimulating musical journey with Mozart, Franck, and Australia’s Margaret Sutherland.

There is ‘intimate’ and then there is Somos. Rafael Bonachela’s Somos reduces the space between performer and audience to inches.

Fans of the novel won’t feel short-changed, but a bolder approach to its adaptation might have made this a more theatrically satisfying experience.

Outstanding performances from Kathryn Selby and her talented friends illuminate some essential piano trio literature.

Through the experiences of three very different women, playwright Patricia Cornelius explores football’s sinister underbelly of sexual misconduct.